stacking klon and timmy30 Apr stacking klon and timmy
Each new drive will shape the EQ and most drives also increase compression. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. For me, I consider it an always . The classic bolt-on design of the Stella DW features an HSS configuration with Alnico humbucker and single coil pickups for a shimmering, articulate tone. I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. Made-Man. You no longer have to worry about batteries cutting you off in the middle of your . Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. Mimic, HSH to SSS and SSH (board little Mind). 62'RI Strat, ES335. ", wrong its chinese clone of rat before or after chinese rat 2. call paul and bill and tell them BOTH that line of bull{censored} above. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. If your tone is fine, but a bit dark, consider trying a boost. So what do you guys think? Shipping and handling. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. I use a TC Electronic Spark clean boost as the first pedal into my ODs. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. I can't say enough about it. ahI saw rolleyes and bor, plus a challenge to call the builders, my asshole meter broke a needle. Electro-Harmonix Big Muff Pi + Colorsound Power Boost Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. This way, the drives will not conflict with one another. It's something that you absolutely have to try: tremolo and reverb. Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. For rocking out your overdrive and distortion with the same pedal, you can always go back to the old classic: Jekyll and Hyde. Basically, that means the bass, mid, and treble are even across the board (also called transparent overdrive), so it makes your guitar a bit more broken up without coloring the actual sound. The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. Knowing what that curve is will help you know how and where to stack a pedal. Browne Amplification Carbon $219+ | Click title for video. Of course, there are times when total cacophony may be exactly what youre looking for. It tastes like heaven. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. What I want to go over is the sound of a Big Muff, and the process of putting that into a Tube Screamer. Rickenbacker 360/12 string in Fireglo in perfect condition. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. The tone stack on the Timmy is excellent. Kaeri presidential polls. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. Germany, one is all i need. Might not be the awnser that you are expecting , but do you have a good amp? Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Your purchases also help protect forests, including trees traditionally used to make instruments. **For reference, the case is bigger than my head. Some pedals sound better turned up or driving your amp harder. Today, were putting together some truly great pedal stacking combinations. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. How do you like it? After all, its all too easy to throw some pedals into the mix and find that, even with top-shelf effects, your tone becomes bloated, oversaturated and uninspiring. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Since your gear creates a system, its important that every piece serves the whole. Im returning my ocd and picking up a Tumnus deluxe to replace it. Actually, the old timmy's sound a little different than the tims. Terry B Humble student of the blues . Good Luck! Based on your location, we've changed your settings: Shipping Region: And when you stack them, the fuzz suddenly peeks its head out from that crazy mix. I use a JHS Morning Glory V4 but you've got options. Happy customers, one piece of gear at a time! A Sweetwater Sales Engineer will get back to you shortly. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. Will keep the Katana though. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . The new timmys sound closer to the TIM now. fender original tele 50s, 24 Virginia. Both of my boards have four OD pedals with a Timmy being the first in the chain. Jul 13, 2017. Amwatts 1x12 Celestion Gold. I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. Ray20July 16, 2006 in Effects and Processors, I was told buy someone who has both that the timmy sounds just like the klon, but has more versatile tone controls. How are you using them? So, just like the amp, the reverb is before the tremolo. The possibilities are endless. Click off the Tonebender and turn on a Fuzz Face and voil! 8 -10" speakers With adjustable horn Excellent working condition Comes with cover . If so, youve officially stacked its that easy. Power Your Creativity . This website uses cookies to improve your experience. It's probably more comparable to a Klon, more of a dirty boost, and if anything it can be a bit bass heavy . Some pedals are great at specific jobs. Currently, after watching and reading a lot about Klon (e)s on fora . This is a lower rent district than some gear forums. Last edited: May 24, 2021. Despite its size, it's pretty damn versatile, thanks to three clipping options. So the VLSDM stayed on my "light" board. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Are there more or less mids? Powered by Invision Community. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. More volume and it will produce more gain and different reactions from the other od's. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Thank you for your request. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. Fuzz stacked into an overdrive pedal? 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 It has a lot of good reverbs: big and ambient or spring. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. The MXR Timmy has more dynamic presence than your regular overdrive. JavaScript is disabled. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. Timmy for dirt and Klon for clean boost? It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. Klon for dirt and Timmy for clean boost? While the concept is simple, the details make all the difference. The place for all things related to guitar pedals. Quarter Note + Dotted Eighth = Rhythmic Dual Delay. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. Running the most transparent or lowest gain OD first seems to work the best for me. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Some people use a Tube Screamer. The combo works really well in a wide variety of rigs, and the blend of tones results in a delicious stew that is equal parts sweet, thick, richly detailed, and dynamically crunchy (if that makes any sense). Works great. In a head to head comparison, tonally, they are almost identical. I run my Klone ahead of my dirtier Nobels, Rat style OD's. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. I think this is going to help you be heard. Start low, and then add gain listen to how the EQ and the compression shifts. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. Your email, has been entered to win this giveaway. It may not display this or other websites correctly. The only one who's feeding anyone bull{censored} here is you. I mostly use the amps in church, at home I'm using an Ac4tv. You may already own something that does this, so don't feel the need to run out and buy something new. When I want to go into Metal mode, I use the Timmy with my Friedman BE-OD. How are you running the two pedals gain wise? I'll probably do Katana, TS, Timmy, Klon. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. The original Klon employed traditional through-hole parts. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. But that's why we play guitar, right? 66one. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? For a better experience, please enable JavaScript in your browser before proceeding. That's part of the fun of it. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Maybe you will. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. I use it as a catch-all for a lot of different effects, but it has settings and algorithms in it that let you kind of stack multiple delays, so its really useful. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. Know What You Have, Decide What You Need Next. It may not display this or other websites correctly. Thanks for all the help. All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking. As you can see (or more importantly, HEAR), stacking drive pedals is a great way to expand your tonal potential. The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. Cookie Notice The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. To Fit. Learn More. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. (continue with the douch bag and asshole comments!). I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. Stack amazingly well but dont neatly fit any of the previous categories. Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. If it sounds better at a lower-gain setting, treat it like a lower-gain pedal. I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. See giveaway details & rules or check out our past winners! I like them each on their own but wasn't too thrilled with the combo. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. You don't need any more distortion. I stack OD's all the time. Basically, I hit a note and then it bounces back slowly. Posts: 8,543. Now, here's the trick. Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. After many years of using the Klon to goose everything. As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. Seriously, just try them both ways and see what you like. Turn the pedal on and play the same chord. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . So, Big Muff into a Tube Screamer. Mayweather vs guerrero memes. Delay + Modulated Reverb = Washy Ambience, So, its not a secret that I'm a big fan of ambient clean guitar tone. You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. I mostly play indie, punk, classic rock, pop, blues. You must log in or register to reply here. A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. Luxe bidet neo 120. Scan this QR code to download the app now. They are too loud stacked. How does it sound? I personally like klons early on before other pedals. With even EQ spectrum, based on Bluesbreaker, etc. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Have you ever used more than one distortion pedal at a time? If you want to add another tone to your board, look for pedals that will complement the tones you already have. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. I put the Timmy as the last dirt in my chain, I think the unique EQ makes everything sound better. Mohammad akhter md. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. I'm running Soul Food into Timmyawesome. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Seller assumes all responsibility for this listing. Whatever youre looking to experiment with, you can find that delay effect on here. Noted pedal-design 7 Cool Listings This Month on Gear Exchange. So having the Klon after the dirt pedals will allow more of it's character to come through? It's really beautiful. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. My favorite stack with a Klon circuit is the Blues Breaker circuit. To be heard. thanks for playing! You can turn the middle Nam to the middle and is a total fender Check those out. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. Any suggestions would be greatly appreciated as to which order makes more sense in general. Whew! These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. It's the one that really frustrates your neighbors and makes everyone in your house hate you. I love using the JAM TubeDreamer, which is really a great version of a Screamer, but any of them will work. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. #3. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Just be sure if you're using a multi-effect delay or reverb that it does let you stack multiple delays. Electric Guitar. Theres one at my local GC for $50. Does the character of the pedal change? Price to sell look it up Reverb this one is really in mint condition kill switch and all. Literally, you could spend the rest of your life trying combinations. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. And I think a lot of you guys would like it. Then theres The Pearl by T1M and The Browne Amplification Protein, which has a Bluesbreaker-style circuit (similar to the Morning Glory) into a Nobles-style circuit, which is a type of Screamer Klon. I vote used dod 250. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. Youve got to keep the modulation and the effect level of this kind of low. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. Your purchases help youth music programs get the gear they need to make music. Bring up the gain incrementally and toggle between on and off. Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. Exclusive deals, delivered straight to your inbox. It may not display this or other websites correctly. . Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. This could not be further from the truth, however. Beautiful. Too much gain or level can cause excessive hiss or hum, handling noise, weird EQ, and compression, and it can actually make your sounds seem smaller. Mooer's Blues Crab should be a solid budget option. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. For a better experience, please enable JavaScript in your browser before proceeding. **Dont knock it till you try it. 144,000 . You take the octave pedal, and you put it before a big fuzz pedal. And then of course, you can go with any of the fancy new Line 6 stuff, like HX Effects. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Don provides Sweetwater with professional insight through product demos, reviews, how-tos, and group instruction. Youll definitely have fun, and you might even find your new favorite sound. 6. Item location: Tacoma, Washington, United States. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting.
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